Showing posts with label critiques. Show all posts
Showing posts with label critiques. Show all posts

Tuesday, 19 March 2013

The Careful Critique

Critiquing another writer's work is tricky. 

It's a fine balance of compliments and criticism. If you're really good at giving feedback, you offer gently worded suggestions.

I like to think I've gotten pretty good at giving honest, useful, suggestions that don't wound the recipient's soul.
  
A careless critique can damage a writer's self-confidence

A vicious one can inflict deeper injuries that may cause creative paralysis, preventing them from taking pen to paper for weeks, months, or possibly years.
 
The first reviews I received was from teachers in elementary school. A few months ago, I pulled out the 1st books I'd ever written - circa 1979.

Over three decades ago, I was an eager fifth grader and these first works were school projects. I vividly recall their creation and how at first I felt proud, followed by frustrated, and finally ashamed.

I eagerly wrote each story and submitted them for the teacher's review. She had me re-write them numerous times. Not for the content, but because my printing was nearly illegible.

I'd squish all my words together, making each sentence resemble one elongated word. Supercalifragilciousexpialidocious had nothing on 10 year old me.

Saying printing was a little difficult for me, is like saying a little chocolate is never enough

During the previous year, in fourth grade, Mrs. Burmeyer took me to task nearly every day for my poor penmanship.

She had a menacing German accent, kept her grey hair pulled into a severe bun, not one hair dared stray. Do I need to mention she wielded a wooden meter stick? Well, she did. With fury. In outrage she broke it over my best friend's desk. But that's another story.

If I close my eyes I can hear Mrs. Burmeyer yelling, "Spaces, Jodi. Spaces!"

One day, when I began to cry she chastised me for my tears. You see, when they dropped to my page they smudged my pencil marks, making my work even messier. For shame. Uh huh, that was sarcasm.

Needless to say, fourth grade was not my favorite. But back to these books and onto fifth grade. I painstakingly rewrote each book, writing in my absolute best longhand, and submitted them with fingers crossed.

When the teacher returned my masterpiece, The Ghost Host, I flipped to the last page, searching for her comments. My heart sunk.

Rather than focus on what I had done well, she drew special attention to my faults, underlining the word, "neater", as if somehow that would finally make me say, "Aha! Now I get it. My handwriting is sub par."

What her words did quite successfully was make me feel horrible about myself. I handed in my best work, but apparently my best was not good enough. My pride turned to shame. 

Thankfully between then and today, word processors were invented. Both my editor and I are grateful, as my printing and handwriting never improved much beyond my middle school abilities. And thankfully teaching has come a long way in thirty years.
 
When I give feedback, I bring my life experience with me and I leave my red pen at home. My goal is to uplift, support, encourage, direct, and inspire my fellow writers to create their best work.

Shame never enters the picture. Not does a measuring stick.

Friday, 11 January 2013

Spaghetti BBT visits The Blood Red Pencil - Stop #5


The Blood Red Pencil, is run by a group of editors and writers, who have a lot to say, so they carry a big red pencil so they can say it loudly, clearly, and with emphasis.
Chuck in all his glory.

Hmm, well I haven't fact checked the actual size of their pencil, but I imagine it is colossally large. In my mind it resembles Selkirk's Chuck the Channel Cat, but far less fishy.

The goal of their site is to help writers by blogging about what they know best – editing.
Dani, 1st Reader Extraordinaire

Dani Greer is hosting me on the BRP site and I couldn't be more pleased. Dani heads up the Blog Blook Tours group and started this group of fearless Blood-Red Pencil editors. She has great information for authors trying to set up their own blog tours and is an advisory board member and special projects coordinator at Little Pickle Press. She also critiques and edits manuscripts, with special attention to period details and voice in historical novels and plot resolution in her favorite cozy mystery genre.

Dani is also Little Pickle Press's first reader, which means she was the first person to read my submission of Spaghetti. If it didn't make it past the "Dani Test," Connor's story would remain on my hard drive, not brought to life by Sarah Ackerley's beautiful illustrations.

So come over to The Blood-Red-Pencil and feel free to share with us your favourite, enormous road-side attraction!


Here are the other blog stops on the Spaghetti tour:

January 7   - The Connor Chronicles
January 8   - Magic Dog Press
January 8   -  Maryann Miller's - It's Not all Gravy
January 9   - mom-ology
January 10 - Confessions of An Aspergers Mom
January 11 - Blood Red Pencil
January 12 - Leslea Tash
January 13 - Inneraspie




http://www.amazon.com/Spaghetti-Finger-other-lessons-ebook/dp/B00ADVR54U/ref=sr_1_1?ie=UTF8&qid=1357653804&sr=8-1&keywords=spaghetti+is+not+a+finger+food
I know everything about Dinosaurs, Dogs,
and Math!



Tuesday, 7 August 2012

Barely Foreign at the SCBWI Conference

She got me with these words four years ago, "Welcome to the tribe."

When I heard them again, at this year's Los Angeles conference, I knew I'd come home. To the lost tribe of writers - those of us who write for kids and young adults.

For those of you who don't write for the under 18 crowd, or haven't heard me rant and rave about the SCBWI, I'm speaking about Lin Oliver. Lin Oliver and Stephen Mooser, long time friends, founded the Society of Children's Book Writers and Illustrators 41 years ago. Lin, as the founding mother of the organization, helps bring together the scattered tribe of fellow children's book authors from across the United States. The SCBWI graciously allows foreigners, and those Lin deems as "barely foreign" (Canadians such as myself) into the fold.

Lin is the author of the Who Shrunk Daniel Funk series and co-authors, with Henry Winkler, the best-selling Hank Zipzer series. She is also a writer and producer of books, movies and television shows. She is an inspiration. Here's a link to find out more - http://authors.simonandschuster.com/Lin-Oliver/22378776.

This year I had the privilege of meeting Lin Oliver. I tried hard to be smart and sophisticated. I ended up just being me. It was much easier. As she was signing her newest book, Sound Bender, we got chatting. (I am very good at chatting when I don't have to be smart or sophisticated.)

agentcarlywatters.wordpress.com
I was able to tell her that I too, this barely foreign writer from Canada, was an SCBWI success story. And because she is so lovely, and because she didn't yet know what an accomplished chatterer I was, she asked me my story. This is how it goes.

In 2007 I decided I needed to find out if I was a "real writer." So I took all our family vacation money, mortgaged the cottage, and flew down to LA, where I met a group of writers from Texas. They welcomed me into their chapter, gave me workshop advice, writing tips, and included me in their dinner plans at the Santa Monica Pier one evening. I laughed every moment I was in their presence, feeling as if I'd known them for years. They are still my Facebook friends, and I cheer on all their achievements as they do mine.
 
At that conference my picture book manuscript was nominated for The Sue Alexander Award.  I was elated. Inspired. Confident that in no time I would be published. What can I say, I was green.

My second conference was a nightmare of magnificent proportions.  I wish I was being overly dramatic but sadly, my critique went so far beyond badly, just thinking about it makes my heart shrivel, my hands shake, and my right eye twitch.

But what helped me continue was the support of my fellow writers.

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My Texans. Yup, those welcoming, open armed group of Texans hugged me, dragged me, (ugly-crying) to the food court to feed me tacos. Why tacos? That detail is fuzzy.

But more importantly, they told me to never give up. To hold onto my dream. To push those cruel words from my mind. To believe in myself. Their kind words and messages of encouragement through email and Facebook continued long after the conference ended. Their gentle prodding kept me coming back to my computer, even when I couldn't see the screen clearly through my tears.

So thank you Lin Oliver and Stephen Mooser for your vision in creating the SCBWI.

Thank you to my Texas writing pals. 
Your big, Texan-sized hearts made me feel like I instantly belonged.

So writers, what's stopping you from joining? 

They'll take all of us. Barely foreign or otherwise.
Trust me. It's good to be in the tribe.

ingridsnotes.wordpress.com